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Jess Dare

Contemporary jeweller and object maker
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  • SHOP
  • Exhibitions
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Day 1: Artist in Residence @adelaideuni Jewellery and Metal workshop. 

#air #artistinresidence #jessdare #contemporaryjewellery #sandblasting
Tiny snippets, details, ornamentation, observations from walks around Nuriootpa, Angaston, Greenock and Seppeltsfield.

#countrytowns #mondaymourning #graveornament #immortellle
Very excited for this!!!

REPOST • @taurangaartgallery Opening Soon
Jess Dare, 𝘐 𝘞𝘪𝘭𝘭 𝘔𝘦𝘦𝘵 𝘠𝘰𝘶 𝘪𝘯 𝘵𝘩𝘦 𝘎𝘢𝘳𝘥𝘦𝘯

𝘐 𝘞𝘪𝘭𝘭 𝘔𝘦𝘦𝘵 𝘠𝘰𝘶 𝘪𝘯 𝘵𝘩𝘦 𝘎𝘢𝘳𝘥𝘦𝘯 evolves from earlier exhibitions 𝘏𝘢𝘯𝘥𝘧𝘶𝘭 𝘰𝘧  𝘍𝘭?
Dusting off my little champagney head after the beautiful opening of stateMEANT @zudesignjewellery last night ready for a full day of soldering.

Photo 2 a sneak peek at just one corner of stateMEANT with works by @sue__lorraine, myself, Frank Bauer
OPENS TONIGHT 
Thursday 13th August 5:00pm
@zudesignjewellery 

state-MEANT is a contemporary jewellery exhibition that brings together bold, thoughtful work with something to say. The focus is on pieces that make a statement, whether that sits in th
//REPOST // • @qvmag_official There’s a quiet poetry in artist Jess Dare’s work.

Through glass, metal and form, she captures moments of memory, grief and time that linger long after you look away. ✨ 

“Since becoming a parent
Clasped hands can symbolize an eternal bond, partnership, a final farewell, or the promise of being reunited with a spouse or loved one in heaven. If one hand is positioned slightly higher or is leading, it often represents the person who passed away
REPOST • @qvmag_official Discover what’s on at QVMAG in August 👀 
 
📍 Art Gallery at Royal Park, 2 Wellington Street 
▪️ Beautiful Tensions: Gray Street Workshop celebrates forty years | FREE entry, until 30 August 2026 

open from 10am
Broken Hill Cemetery, February 2026

#brokenhill #immortelle #mondaymourning #cemetery #thesethingsthatcatchmyeye
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What Remains?

November 12, 2019

What Remains?

Jess Dare

12 Nov – 07 Dec 2019 The National, Christchurch, New Zealand

A fallen blossom from a tree, wilting on the soil below. Flowers collected on a journey and pressed between the pages of a notebook. A garden tie dangling from a trellis, once training a thriving beanstalk. A nut, a pod, a twig, a branch, curiosities gifted by my son, collected, kept and remade in brass, a memory to revisit time and again. Traces of what was once, but is no longer.

This exhibition is about family, memory, collecting, connection, remembering and preserving. I am interested in what happens to things through their life, my life. How plants grow and wither and reference our own mortality. How we remember, what we remember. The things we collect, keep and record. My Grandfather, Dean Hosking kept journals, recording daily rainfall, plants that he bought, notes on how to maintain his garden tools, the ordinary everyday, practical, methodical and all meticulously penned in his flowing looped cursive.

Jess Dare, 2019

Jess Dare, born Adelaide, South Australia 1982, lives and works in Adelaide.

Contemporary jeweller Jess Dare completed a Bachelor of Visual Arts specialising in Jewellery at the Adelaide Centre for the Arts TAFEsa in 2006.  Practicing flame working for over 10 years, having been taught by local and international glass artists, glass now forms an integral part of her practice.  Jess joined Gray Street Workshop (Est.1985) as an access tenant in 2007 and in 2010 became a partner of the workshop, joining Catherine Truman and Sue Lorraine in continuing its legacy and shaping its future.

Jess exhibits nationally and internationally and is represented in major national collections including The National Gallery of Australia, The National Gallery of Victoria, the Art Gallery of South Australia and the National Glass Collection.
Jess has undertaken international residencies researching floral culture in Thailand (2014) and China (2015).

In 2016/17 she worked closely with Professor Richard Johnson creating a permanent memorial in Martin Place, Sydney, symbolising the sea of flowers laid by thousands of people following the December 2014 Martin Place siege.

Photography: Grant Hancock

A PDF version of the catalogue is available here or a hard copy version can be posted to you for AUD $10 by sending an email through contacts page.

← Elegy catalogueHOLD: To hold still. To contain. To hold dear. →

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November 12, 2019
What Remains?
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November 12, 2019

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